Also the illustrations are gorgeous. This is my attempt at copying one:
Friday doodle: A mollusc in an impractical hat (part one of a series of impractical hats)
Writer Rachel Bennett / Rakie Keig attempts to read their way through their local library, because reading is what? FUNDAMENTAL.
Also the illustrations are gorgeous. This is my attempt at copying one:
Friday doodle: A mollusc in an impractical hat (part one of a series of impractical hats)
However you look at it, it's been a heck of a year, but I'm going to ignore all the important stuff for now and go with my usual yearly round-up of how much I've written in the past 12 months, because that's something I feel relatively positive about and because I have some nice solid statistics to fall back on, rather than my own shouty opinions.
(I'm not posting all this to boast, btw. I just like stats, and I like being able to take stock of what I've done in a year. Also I hope it'll show that everyone's output is different, we all work at different speeds, we all have different definitions of what is a fair amount of work, and no one should ever make themselves (or anyone else) feel bad for doing more or less than the next guy.)
In total, I wrote 414,204 words, which equates to approximately 1131 words a day average. To compare, in 2015, I wrote 359,224 words (about 984 words a day average).
These totals include everything - first drafts, rewriting, editing, blog posts, competition entries... anything I can claim with a straight face as creative writing. I also included drawing as writing (using the vague definition that a finished picture is worth a thousand words).
Breaking this down into positives:
I wrote the first drafts of two new stories, one of which is now my favourite thing I've written.
I edited two other novels to close-enough-to-finished level.
I polished TERROR ISLAND and released it as an ebook.
I filled up two notebooks with notes, ideas, and random crap.
I wrote every day, even if it was just a couple of sentences (although there were a couple of close calls).
I read 91 books.
And into negatives:
I didn't get as much drawing done as I wanted. Maybe only two or three days included any drawing.
I didn't blog very much.
I didn't crit as many stories for other people as I should've. In fact, I still have three crits outstanding, which is very poor behaviour on my part.
I still don't reply to my emails in a timely fashion.
But in general, I'm happy with my output for the year. I feel like I've done okay. I really hope everyone else feels they've done okay too, despite this horrid year, and achieved something they can be content with.
I'm going to do a separate post about the books I've read, because I'm sure you're anxious to see my stats about those too. :)
Happy 2017, peeps. Stay safe out there.
Total Word Count: 359,224
(Total for 2014: 295,670)
I'm happy with that. The main projects I worked on this year were:
Finishing The Extra (my Nano novel from November 2014 which I finally completed in March and have ignored since).
A small amount of work on YA superhero story Search & Destroy.
Rewriting and editing Fourth to the Devil (including dreaded synopsis and query letters).
Finally redrafting my YA time-travel, haunted house bonanza 2114, which was started for Nano 2013 and has now been renamed 2116 in honour of how unnecessarily long it's taken me to complete.
Notes on a supernatural crime story, White Death, that I really want to start work on.
Completed NaNoWriMo 2015 with Animal Bones, a rewrite of one of my earliest stories.
And the first draft of Floor 156, a dystopian thriller which I'm pretty sure no one will ever get to read, ever (some things are only written for our own funsies).
Oh, and the ebook of Home Ground came out. :)
One resolution for last year was to write every day, which I just about managed, although it was a close call on a few days and frequently I achieved only a few scribbled notes. Even so, I appear to have averaged approximately 980 words a day (allowing a margin for my shoddy maths), which is very respectable if true.
I also resolved that drawing counted as writing. This was to encourage me to devote more time to drawing, and I assigned an arbitrary word count to time spent (given a picture's worth a thousand words, and all that). I didn't finish anything major, aside from some wedding invites for my sister that turned out okay, but I'm happy that I spent a little more time than usual on a skill I've sadly neglected.
Soooo... projects for 2016...
First and last I need to finish the rebranded 2116. I'm at the horrible stage of editing where you read everything aloud and agonise for hours about word choice ("Do I mean bright or do I mean clear? Is spiderwebbing a real word? Is a culvert what I think it is?"). After that I need to redraft all the crap I wrote last year.
And then I have a stolen idea about dragons that I want to pursue...
In 2016 I will write. I will read. I will draw. I will blog. It's also likely I will drink too much wine and shout at cooking shows on TV. In my spare moments I might sleep. Also, Fallout 4.
Best wishes to you all for a shiny 2016. ("SHINY! That's the word I want!")
(Jakob and Elliott Taylor featured in a fairly-rubbish webcomic I used to draw. Doodling this made me realise I haven't drawn them for a shockingly long time... probably not since the real Elliott was born. I need to do more drawing.)
I've never been great at revising and editing. I'm much more a fan of plunging forward with enthusiasm and a vain hope that somehow the work I produce will magically turn out to be brilliant. Over the years though I've started enjoying editing. Taking a big enthusiastic mess and turning it into something I'm happy with (or at least something I don't actively want to set fire to) is a lot more fun than it used to be.
Writing always feels like drawing to me. You start with a sketch, you add lines and shading, you rub out what doesn't work, you add second and third layers and paint over the bits you hate. The finished result rarely resembles exactly what you pictured in your mind. And the big problems you notice straight away in the finished item (bad perspective, misshapen faces, upside down feet) are usually not caused by the last coat of paint, but by a problem deep down in the sketching.
I've come to like editing, especially the stage you reach where you're no longer looking at the sculpture with your eyes but running your figures across its surface and feeling where the lumpy, awkward bits are. You smooth out some places; add texture to others. But at heart it's still the same piece of work you started out with... even if you lose patience, smoosh the clay back down to a single lump, and build something entirely new out of it.
Like most of my metaphors, I'm sure this one will fall apart if I poked at it too long, so I'll leave it at that.